Daredevil Review

Daredevil is packed with gritty but acrobatic action

After a slew of tripe barfed up by cash-hungry networks, television has finally got the superhero show that it deserves.  Daredevil is a piece of storytelling that fully embraces the Netflix-binge format and ambition of  contemporary TV while still staying true to the conventions of the superhero genre.  Daredevil transcends the boundaries of hero-fiction and is the best example of it on the small screen, to compare it with the likes of Agents of Shield and Arrow would be unfair and insulting as its contemporaries are more in the vein of Sons of Anarchy, True Detective and, to a lesser degree, Breaking Bad.  Marvel, the world-eating sons of bitches, have done it again.
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Five Favourites of 2014

One can hope

I’m thoroughly ashamed of my lack of blog output in the final quarter of 2014 so have decided to do what all lazy papers when they can’t be arsed to write a proper piece (I’m looking at you The Telegraph and Guardian) and publish a TOP FIVE (AKA “The Five Things We Learned” or “five things to know”).

It’s been a good year in the realms of entertainment as Marvel continue to build themselves up as the big brand of a generation while their puppet master Disney rake in the billions. We had a World Cup were we couldn’t be defeated by England’s lack of, well, anything as we savored some of the most superb shock results in sporting memory. There was also the ending of eras with both Boardwalk Empire and Sons of Anarchy among the last to be bowing out to what has been the greatest decade of television in human history.

There have also been the lows, with Sony murdering the Spider-Man franchise, their spat with North Korea regarding such as poor film as The Interview, and the subsequent hacking and exposure of both highly confidential e-mails and digital content. Both the Playstation 4 and X-box of struggled to release any real killer-apps with a series of game delays and the damning verdict of superior previous-platform re-masters over new IPs.    Finally and more poignantly there was the tragic end to the life of Robin Williams a man whom touched mine generation with a balance of humour, emotion and raw talent that we won’t see on this Earth again.

So see below for some of my thoughts on what was great in 2014 and what we can look forward to in 2015. Please note that I’ve not seen everything released this year with heavy hitters like Birdman and Boyhood yet to enter my consciousness and I’ve decided to ignore games this year due to the incredibly lame standard of overall releases.

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Summer Transfer Window Review 2014

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The transfer window closes having, again, smashed all previous records the Premier League amassed a total spend of 835 million (twice as much as La Liga and almost four times the Budesliga) in another filthy example of capitalism. With the top seven teams all spending big (except for Tottenham) and each looking so much more formidable then last year. So I’m going to have a look at the business of the top teams and review how I think it went. An honorable mention for Stevie Bruce who really smashed it out of the park for Hull City (Tigers) this season with the signings of Ramirez, Livermore and Ben (fatty) Arfa, top ten beckons.

Arsenal, net spend £46m

In: Alexis Sánchez (Barcelona, £30m), Calum Chambers (Southampton, £16m), Mathieu Debuchy (Newcastle, £12m), David Ospina (Nice, £3m), Danny Welbeck (Manchester United, £16m)
Out: Bacary Sagna (Manchester City, free), Lukasz Fabianski (Swansea City, free), Nicklas Bendtner (released), Park Ju-young (released), Thomas Eisfeld (Fulham, undisclosed), Thomas Vermaelen (Barcelona, £15m), Carl Jenkinson (West Ham, loan), Chuks Aneke (Zulte-Waregem, free), Ryo Miyaichi (FC Twente, loan), Ignasi Miquel (Norwich, undisclosed)

At first glance Arsenal have done very well having upgraded in virtually every position with Sanchez potentially a World Class talent. Much maligned Danny Welbeck is very promising and offers a good alternative to an injured Giroud. Vermaelen out for 15 million was a great bit of business.

Alexis "I'll settle for fourth place o I can live in London" Sanchez

Alexis “I’ll settle for fourth place o I can live in London” Sanchez

Star signing: Alexis Sanchez
Missed Opportunity: with only six senior defenders at the club (including Monreal) were Mertesacker or Emirates hero Koscielny to pick up an injury it will be on 19 year old chambers to take up the mantle.
Value rating: 7
Excitement rating: 8
January prediction: A trolley dash for any centre-backs not cup tied in the champions league, Sokratis or Nastasic.


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Mad Mario is back!

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It looks like Mario Balotelli is joining Liverpool, I’m going to say that again, Balotelli is (probably) joking Liverpool. Brendan Rodgers clearly isn’t content with the scandal-free summer just passed and is looking to spice things up in a post-Suarez world, the “Mad Dog” is out and the “Mad Mario” is in. Many comparisons are being drawn between the two, both are aggressive in attack, both have a habit for making headlines and both enjoy plundering the England goal and knocking us out of tournaments, from one media “darling” to another. But no matter how many comparisons can be drawn between the pairs oft-mentioned moments of insanity they couldn’t be more different as players. Suarez is a force of nature and the most talented individual to ever wear a Liverpool shirt was a phenomenon for Liverpool and would have been golden boot winner for two years running (was three ahead of Van Persie at the time his suspension was handed out in the 2012/13 season). He is simply irreplaceable in his contribution to the team that he plays for. Balotelli signs for Liverpool very much as the number two striker ,he is simply not in the same class as Suarez, but that is not to say he can’t be. Many in the media are lambasting the club hierarchy as having “lost their heads” and spouting clichés such as “jumping out if the frying pan and into the fire” while my fellow fanatics are deliciously ecstatic at the prospect, simply put, we love a bastard, a bastard that’s ours.
So here is why the Balotelli signing makes sense:

1. Liverpool are in dire need of a striker. Sturridge has earned his place as the leading man, however, he has a patchy injury record and will never play more than 30 league games a season. Rickie Lambert is a solid squad player but at 32 hardly represent the future and is somewhat lacking in pace. Balotelli is the physical embodiment of the classical English number 9, he’s built like a tank, he’s quick, he’s not intimidated and has a lethal right food. not bad at set pieces either. To mount a top four challenge, let alone a title challenge, Liverpool need strength-in-depth up front and Balotelli represents a player who could either partner or replace Sturridge in attack.
2. Liverpool can add variety to their attack. Rodgers seems to be leaning towards a 4231 formation due to both his fondness for versatile attacking midfielders-cum-wingers. The truth is Liverpool looked at their best last season in a diamond formation with two strikers. Their plethora of multi-taskers in the middle means that they have the capacity to field both Sturridge and Balotelli. Sturridge can be accused of drifting into the wings a tad too much (particularly to the right) and while this worked to great effect with Suarez in-tow it doesn’t work quite so well when up front alone. If Balotelli can replicate the same sort of runs Suarez used to, he certainly has the ability, then he can scare the life out of defenders. He offers an alternative to Sturridge for different games, more physically imposing, right-footed and with a scary-as-hell death-stare he throws a spanner in the works for teams plotting to negate a pacey Sturridge attack.
3. He is proven in the Premier League. Though lacking the best scoring record in open=-play Balotelli had a decent record in England. 20 goals in 54 (League) appearances considering a third of them were off the bench is not-bad for a player who was then in his early twenties. He won’t require the adjustment needed for most foreigners to acclimatise to the pace and physicality of the Premier League. He scores a lot of goals from free kicks and is one of the best penalty takers that the game has seen, with Lambo and Gerrard in the squad Liverpool will have one of the strongest set-play teams in the league, something they were already pretty good at.
4. Rodgers may be the one to unlock his potential. It’s widely believe that Mario has yet to near revealing his true capabilities. His seemingly bad attitude and laziness has led to managerial heavyweights such as Jose Mourinho and Roberto Mancini branding him an impossibility, a lost cause. Rodgers, who built his reputation in youth coaching, has been nothing short of a miracle-working with his man-management and the improvement he has made on players. Raheem Sterling has evolved from inconsistent winger into a multi-positional, intelligent attacked who will one day be challenging for the Ballon d’Or in the near future, Daniel Sturridge has gone from fourth-choice at Chelsea to world-beater and what about the man once nicknamed Horrendosen? If Balotelli really does have capacity to be the talent predicted by many then Rodgers is the man to bring that out.
5. He’s a bargain. The departure of Suarez has left Liverpool with a lack of star-power and the Kop needing a hero to worship. Mario is that hero, he ticks every category possible to ensure cult-legend status among redmen everywhere. He scores goals, he told a Sun journalist to shut-up and not ask him any questions, he doesn’t like bullies, he can’t master the bib, he nonchalantly pissed-off the entire Manchester United squad and he spends his money on a variety of scooters, post-firework bathroom renovations, homeless people and meme inspiring t-shirts. You can see why so many are eager for him to rock-up in the North West. More than that he is only 24, and at a relatively paltry sixteen million (especially considering Borini and his impending sale to Sunderland for 14) represents a low risk, even if he himself is quite a risk. He is young enough to learn and develop his game and take on Rodgers advice, in Steven Gerrard he has a statesmen to put him in place. If you consider that Bony would have cost twenty, Falcao ten for a single year and Cavani anything upwards of 35 it represents good business. If it doesn’t work out he still should have enough market value to be moved on. He also offers lots of commercial opportunities for the club, he’s a big-name player who In a world when Ross McCormack costs eleven million pounds and Shane Long 12, it looks good business indeed.
And though I am fully in favour of the transfer (though I would love to have seen Falcao at the club) there are some reservations:
1. Indiscipline. He has a habit for picking up red cards, worse than that, he gets sent off in big games at the worst possible moment. It may just be Rodgers ego that he believes he is the one to tame the Italian.
2. He is lazy and may be tactically inflexible. Rodgers demands his players be both flexible and hard-working, two things that Mario has never displayed. Whether he can fit into Rodgers system is curious, one cannot see him dropping into midfield or replicating anything near the pressing that Luis had previously offered.
3. He’s an Enigma. Nobody on Earth can predict how this will go.
So those are my thoughts in an exciting transfer window. Why always you Mario, why always you.

X-Men Redesign: Purple Team

This group was a lot more inconsistent then I wanted it to be (not that anyone ever wants their art to be inconsistent on purpose), I feel that Anole and Rockslide are amongst my best works to date while Quentin is probably my worst. So expect me to revise my Kid Omega design at some point though I cannot guarantee it any time soon. This team is made up of the leftover cast-memebers of New X-men: Acasdemy X with the addition of Kid Omega who has, in my opinion, been one of the standout X-men thanks to Jason Aarons superb writing on Wolverine & the X-men. Victor and Santo are one of my favorite pairings in comics as their contrasting personalities are often hilarious, Pixie is similarly funny and her British slang always feels like a fantastic in-joke. Cessily is very much the voice of reason needed to ground a cast of such misfits. As ever, you can find my works at devantart.
Purpleteam2

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Premier League Prediction 2014/15

The new season kicks off tomorrow and though we cannot fully judge the squads until the transfer window closes I thought I’d get my two cents in nice and early. My Premier League prediction table:

1: Chelsea

Jose did a stellar job of convincing everyone his side were not equipped to win the League last year despite having a significantly stronger team then fellow top 4 finishers Arsenal and Liverpool. The Special one would truly need divine intervention to convince his team are underdogs this time around with the resolute strengthening they’ve done so far this summer. Fabregas, Fillipe Luis and Diego Costa have filled the little gaps that previously haunted the first eleven to ensure they have a squad equal, if not superior, to Manchester City in firepower with the added edge of a consistent champions mentality. Physically strong and with super-subs abound (Schürrle, Willian) expect them to dominate teams with both set pieces and energy-sapping bombastic performances.

Who to watch – With Suarez taking chunks out of La Liga it will be interesting to see if Eden Hazard can push for the Player of the Year awards that is talent demands, though witnessing Diego Costa try and break the Stamford Striker Curse may be just as tantalising.
What they need – Extracurricular activity. With so many players worthy of a starting spot it’s going to be a test, even for Mourinho, to keep everyone happy. Another striker to replace (and the ever-never present Fernando Torres) Lukaku wouldn’t hurt.

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Guardians of the Galaxy: Review

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Marvel prove that they don’t need spandex to succeed as their biggest gamble is an utter blast

It has been a fantastic summer-fare for bombastic, high-quality blockbusters so far this year. Starting with the surprisingly challenging Captain America: Winter Soldier we have had The Amazing Spider-Man 2 (which scrapes this list), X-Men: Days of Future Past, Dawn of The Planet of the Apes and now the latest in this slightly-too-long-titled-cabal in Guardians of the Galaxy. What is staggering about this aforementioned list is how four of the five originate from comic-book behemoth Marvel (though ASM and X-men are ,of course, produced by Sony and Fox respectively) truly cementing the publishers status as the most valuable entertainment brand since Star Wars.

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A week out in “Btown”

A male perspective of the nightlife in Bournemouth, heaven or hell?

Lava/ignite


It’s three-thirty in the morning and I’m sat on a damp patch outside of Tesco’s. I’m clutching a half-eaten meatball marinara sub and the overwhelming stench of vomit has decided to burn itself into my nostrils. Bizarrely, I have feathers in my hair, down my pants and creeping up my ass. Drawing money out of the cash-point at the road opposite I can see my friend –Joe. Clinging to him is a girl he has just met, she’s wearing too much make-up, a ridiculously short skirt and her mouth is jammed open as if permanently posing a question – namely, “is this really a good night in Bournemouth?”

It’s a fair question.

It’s a cold December Thursday and I’m on my way home from a night on the town. I’m the Wingman of 22-year old Joe – schmoozer, pick-up artist, failed student…and window salesman. With bleach-blonde hair, twice-a-week sun bedded skin and a penchant for overly garish tracksuit tops and tight jeans (that really don’t compliment what may be a severely malnourished body) Joe has never been one to worry about committing to a stereotype (he’s from Essex). In fact the only reason he wanted to go by the alias was supposedly to not alert any potential targets whom may be reading.

So why am I in Bournemouth?

“A place where the young go to live and the old go to die” is one of the most poignant descriptions of this town that has ever been given to me. Though it does seem to be the consensus when you ask around, with “pensioners” and “students” being common responses, doing little to dissuade the formerly mentioned (if overly-bold) statement.

To those of us who hail from the West Country and speak like farmers, Bournemouth has another reputation, as a place to meet women. When I was considering the move to Bournemouth my male compatriots all spoke of it as if where the British equivalent of L.A. They would say that the nightlife was “well good” and that it highlighted how “crappy” the “talent” in our hometown of Swindon (twinned with Disneyworld) was. My friends, they spoke as if every girl in Bournemouth was Lucy Pinder (the “best rack in Britain”) and that every girl was willing to talk to a loser like me.

So naturally, I gave into peer pressure and decided to re-locate to the sunny southern town.

I quickly realised Bournemouth had a lot going for it, with arguably the best commercial beach in the UK, a thriving tourist economy and the award-winning Bournemouth Gardens some of its sophisticated features. I would spend that summer gawking from behind my shades at the bikini-clad beauties that littered the beach.

However, as the summer ends and winter begins, it simply became just another tacky student town, a compilation of dodgy kebab shops held together by a string of gimmicky nightclubs. Though when you’re a young, single and in dire need of losing some of those crippling inhibitions a “tacky student town” can become a land of opportunity.

Bournemouth at night

I went to Joe and asked him to be the one to introduce to the nightlife of Bournemouth, to experience what the town had to offer. Never one to turn down a night on the town and an ear to brag to he gleefully accepted. According to Joe if you wanted a good night out in “Btown” (as he would continually refer, much to my annoyance) you had to be picky about what days to go out, or rather what night not too. Despite being in full-time work Joe would warn against going out on Saturdays. Joe claimed that Saturdays belonged to the balding 30-something striped-shirt alpha males and their stag do’s. He would also explain that on weekdays, due to catering for the notoriously cash-strapped student community it’s significantly cheaper. We decided to go out every night from Monday-to-Thursday in order to trial when and where the best women of “Btown” congregated.

Monday: apparently the place to begin on a Monday night was Inferno; Inferno was the only pub in Bournemouth that did a pound-a-pint night. Inferno was also conveniently located next to the Old Firestation, Bournemouth Universities student nightclub and our destination. The Old Firestation would throw its “ultraviolet” event every Monday night. This is where what it is referred to by trendier people then me as a “UV rave theme”. Where the students of Bournemouth dress up in horrifically bright colours and splatter their face in luminous green and pink paint while emulating the movie Human Traffic to the best of their abilities. I would spend most of my night in the smoking area, according to Joe it would be worth my while taking up smoking as it meant there was an excuse to approach people (you got a light?). Considering my inability to dance without making complete tit of myself it seemed like the best place to be. Monday in Bournemouth: 4/10

Tuesday: of the weekdays Tuesday is undoubtedly the most uneventful night of the week. The Orange Rooms is the place that is worth going to. A little less chaotic then the other venues and providing a faster, cheaper service then the majority. The Orange Rooms strikes up a good balance of having quieter areas where you can hear people talk and having a half-decent soundtrack. I actually really enjoyed my night out as I didn’t feel obliged to hop around like an idiot. Joe pulled some broad from Norway. 6/10

Wednesday nights in Bournemouth are quite infamous. The “place to be” is apparently Lava/Ignite, to be honest I knew what to expect from “Lava”. Part of a seemingly endless chain of nightclubs owned by the Luminar Leisure club, the brand has become synonymous with the VK binge drinking elite. Joe warned me that the bar waiting was so bad it was best to do the majority of your drinking beforehand. He wasn’t wrong, at one point I was waiting at the bar for 40 minutes before anyone got round to serving me, it seemed the predominantly male bar staff preferred to serve someone with larger boobs and less facial hair then myself. I would spend the bulk of the night doing what Joe referred to as “Twat Laps”. A “Twat lap” is where one spends a considerable amount of time wandering around and around in circles, bumping into people while searching for somebody that you know and typically not finding them. A sweaty, heaving and badly themed disaster, with the campest music ever heard in a “straight” nightclub, Wednesday night in Bournemouth or rather Lava/Ignite: 1/10

Judging by the previous days efforts I held out little hope for Thursday night. Our destination was to be the nightclub “Dusk till Dawn” and I was exhausted. How Joe could work and go out every night was beyond me. To my surprise Dusk actually played some half-decent independent music, instead of the trashy disco rubbish of which I had grown accustomed to. With a reasonably quick service and bouncers who aren’t complete muscle-heads it turned to be a pretty good night. Gimmicky as it was the club also had some sort of massive pillow-fight theme going on with thousands of feathers falling from the ceiling. This would major upset my carefully groomed hair but on the plus side would obscure my vision as I “made out” with a girl I’m trying to tell myself didn’t look like Tim Curry from the Rocky Horror Picture Show. Joe managed to simultaneously pull the fakest looking girl in the club while holding me down as his friends shoved what felt like an entire seagulls-worth of feathers down by trousers. Thursday night at Dusk: 8/10

I come to the conclusion that the night-life in Bournemouth is like that of any other student town, gimmicky and slightly desperate. Though for desperate people desperate measures have to be taken and I’ll be the first to admit that though I may have rated the town harshly it does have an undeniable if not classy charm.

X-men redesign: Blue Squad

I’ve been working on my own interpretation of the X-men for a long while, along with redesigning their looks I have also adjusted their backgrounds and, in very few cases, their powers. This post only covers my latest batch (though you can see everything I have done at http://cspencey.deviantart.com/ ) though I intend to post some of my older works over the coming weeks, though the quality going forward will actually be going back, if you know what I mean…

In my universe the Xavier Institute divides its students into “squads” once they are old enough, assigned a instructor and a colour. This squad is mentored by Northstar (more on him later).
bluesquad
I loved the Academy X era and think its a crying shame we don’t see more of them now. In my universe the X-men are splintered into groups and Blue Squad is made up of those Academy X characters.

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X-men Days of Future Past: Review

X-men young and old take centre stage

X-men young and old take centre stage


Cumbersome title aside Days of Future Past is the superhero title that so very nearly hits every chord. For the sake of the reader I have to be 100% honest about mine being a X-freak of the highest order having been introduced t the comics by the notorious animated series of the 90s and since cemementing my love with the original film. I am such an X-men addict that my own deviantart page almost solely dedicated to the mutant menace. So if you are looking for a neutral review of the latest entry to the summer movie blockbuster fare, I’m afraid, I really can’t give you that. What I can give you is the analysis of a fanboy who has possibly just witnessed the X-men film that might just be the one he has always been waiting for.
DOFP (as it will be hereafter referred too) is an incredibly ambitious entry to the X-men franchise that juggle not just the cast of its direct prequel, the delightful X-men: First Class, but also smashes together the continuity of the original trilogy. X-men starts by introducing us to a world that has a distinct Terminator post-Judgement Day vibe going on as mutantkind are hunted to the brink of extinction by multi-powered robots across a dead, dystopian landscape. In this world the X-men are a ragtag group of mutants comprised of both members from the original trilogy and new additions such as real-life Portal player Blink (Fan BingBang, one hot fairy) Omar Sy’s human-battery-sponge Bishop and Adan Cantos “not the Human Torch” Sunspot. The X-men are fighting a losing battle against the machines and so using the newly developed “mind transporting time-travel” powers of Kitty Pryde (Ellen Page) the two timelines meet as Hugh Jackmans effortlessly charismatic Wolverine is transported into the body of his younger, 1973 self. From this point on Wolverines quest is to unite the James Machos Charles Xavier with his arch-frenemy Magneto (Michael Fassbender) in preventing Jennifer Lawrence’s Mystique from inadvertently putting the world on course for ruin.
X-men has an outstanding cast throughout

X-men has an outstanding cast throughout


The first thing that hits you about DOFP is the sheer quality of its massive cast. Michael Fassbender, James McAvoy, Jennifer Lawrence, Ellen Page and Peter Dinklage are currently among the hottest properties in Hollywood right now and to have them all sharing screen time in a move so endowed with talent is a true testimony to the both the actors dedication to the franchise and to the filmmakers for making them all feel like integral parts to the narrative. That is not even mentioning Hugh Jackman who for the first time since the original X-men film acts more as to the viewers conduit to this world as opposed to the man driving it and it lots of ways is the better film for it.
Mystique amps up her blue badass this time round

Mystique amps up her blue badass this time round


The most impressive thing about DOFP, however, is that despite juggling multiple narrative nightmares such as time travel, mind-bending superpowers and two different casts from two different decades is the surprisingly coherent and well-paced story. It is a testament to Bryan Singers understanding of the universe, characters and soul of the comics that he was able to pull off such an impressive feat. The film is brimming with mutants from across X-men history and though many have only small roles they are either so visually pleasing or engaging in some way that truly enrich the experience. Unlike past X-men efforts the characters are not simply there for the sake of having them there they are adding something that enhances the film be it a “holy fuck that was cool” or helping the film escape a dodgy plot point. DOFP benefits greatly from the reinvigoration granted it by Vaughns First Class and using the crest of its way to reintroduce characters previously tainted by the two stinkers before its predecessor. It is so clear that the travesty of X-men: The Last Stand offended and upset Singer greatly, after putting so much love into the first two films to see it sullied by Brett Ratner lead him to take a steaming hot shit all over it (and X-men Origins for the matter) as DOFP does goes out of its way to make sure those two monstrosities no longer matter. Someone new to the franchise could quite happily enjoy the entire X-verse without having to include the aforementioned disaster, the only shame being the rest of us couldn’t. The Time travel aspect of course offers a convenient way to do this but also ensures that the franchise can continue with a fresh slate not bound to the timescale of the original trilogy.
Blinks teleportation powers make for some of the films most exciting scenes

Blinks teleportation powers make for some of the films most exciting scenes


DOFP is a significant upgrade on its predecessors in both its visual effects and action. The X-men films have always had the hokier special effects of the superhero world but that has been greatly improved here thanks to both the films enormous budget and contemporary technology. The Future sequences are particularly bombastic with the X-men using a full array of fire blast, teleportation and thunderstorms to battle their adaptive mechanical foes. It is not that there is an overabundance of action, there is nowhere near as much as Marvels The Avengers, but that what is makes it all the more effective. Nightcrawlers assault on the White House is one of the most memorable moments in superhero movie fiction and Singer charges DOFP with the same sort of playfulness and imagination throughout. Quicksilver’s assault on the White House is a true spectacle, both artistic and original, that ensures the characters return on future instalments while Blinks human-portal routine has a visual flair that lights up the screen. Singer does more with less and it really continues the uniqueness of the first two X films while competing with the other actioners on the market. DOFP does lack the spunk and groovy styling’s of its prequel with 1973 having a lot less flavour then Vaughn’s more vibrant era but it doesn’t matter as it always feels more in-line with Singers world anyway.
McAvoy and Fassbender continue their electric chemistry from First Class

McAvoy and Fassbender continue their electric chemistry from First Class


Of course the strength of any successful X-men film is on its interpretation of its characters. First Class very much felt like a Magneto movie so it’s fitting that DOFP feels more like Charles Xavier and Mystiques film. Jennifer Lawrence’s star has risen significantly since her previous outing as the blue-skinned babe and so she has been given a lot more to do it be it her kinetic badassary or her emotional arc which is central to the narrative of the plot. Lawrence, like most of the cast, is effortlessly likable and displays a glimpse of the broad shoulders that may be needed to carry the franchise once Hugh Jackmans Wolverine hang up his claws. Talking of Jackman, it feels fantastic to finally have him cast in a more supporting role though he is of course, central to the events of the film he is there to get the best out of his castmates and not to steal the shine. With X2 and the subsequent spinoffs being very Wolverine-centric we now get a Wolverine that can be there for comedy and a wise word not to be a moody badass and were it Wolverines final foray it would be a more than fitting one. For me, however, it is the bromantic chemistry of Michael Fassbender and James McAvoy as pre-pensioner Ian McKellan and Patrick Stewart that continues to shine in this universe. Watching the Scot and Irishman try to out-English each other is humorous but they also have the gravitas to carry the weighty emotions needed to make their characters convincing. We see Xavier at his lowest ebb, destroyed by years of failure and the loss of his legs he is a truly broken man while Erik is no longer the angry, conflicted man of the past but is starting more and more like his older incarnation. Fassbenders Magneto is the undoubted villain by the time the credits role, his transformation complete, but he always maintains that sense of a man fighting injustice which is what makes Magneto the greatest Supervillain of all time. Evan Peters Quicksilver is another highlight of the film, widely ridiculed in marketing materials for his pre-empted inferiority to Aaron Taylor-Johnsons (which will be proved nonsense if Godzilla was anything to go by) impending version and his frankly, disgusting attire he offers some of the best laughs and exciting moments in recent blockbuster memory. One hopes he has a expanded role in future entries. The appearances of the old heads from the previous timeline also adds a warm and fuzzy veil of nostalgia to proceedings (particularly for a 80s/90s child like me) . Though their appearances are fleeting one senses there must be a great love for the both the franchise and Singer for Ian McKellen, Halle Berry, James Madsen, Famke Jansen, Shawn Ashmore and Ellen Page considering their ongoing strength of their individual careers. Though many of them act merely as security guards come the end of the film it would have really felt empty and disconnected had they not had their two pennies.
The more spectacular action takes part in the future, with these guys

The more spectacular action takes part in the future, with these guys


As awesome as DOFP is it is not flawless and does have miss a few notes. Peter Dinklage is as superb as ever in his role as the villain though he is criminally underdeveloped. I believe it’s a fabulous step forward having size-blind casting but when the role is that of a man who wants to hunt and experiment on those who are different to know more about his motivations and whether they tie to his own “differences” would have made a much more engaging threat. The “roadshow” aspect of the film may contribute to some of the aforementioned awesomeness of DOFP but it also short-changes a fair few characters. There is far too little Ian McKellen and as such a stalwart of the series it’s a real shame not hear more of his earthly tones I also felt the same about Iceman of whom we get a brief display in all his icy glory but is dispatched with relatively little effort towards the end. The final fight scene was also a mixed experience for me because I felt myself far more interested in the future battle due to all the crazy shit going on while there was significantly less “oomph” back in 1973. This is largely hindered by Nicholas Hoult who while a capable actor lacks the charisma of most of his co-stars and looking like he just walked off the set of Shatner-era Star Trek. It’s a crying shame that still, in 2014, it seems impossible to make Beast look anything short of diabolical.
Quicksilver has the most memorable moment of the film

Quicksilver has the most memorable moment of the film


X-men Days of Future Past is the ultimate X-men movie and proof that the franchise still has the legs to compete with Marvels other big boys. For me it is further proof that these characters are in the right hands despite a period of decline in a universe that, in my opinion, is far better detached from the its cross-company cousin. Were it not for being a differing studio we undoubtedly wouldn’t have been able to have such a bonkers story told.
Bring on the Apocalypse.